Kroller-Muller Museum

FUTURISM & EUROPE

The aesthetics of a new world


OTTERLO, Kröller-Müller Museum (Olanda)

29 aprile - 3 settembre 2023

a cura di Fabio Benzi e Renske Cohen Tervaert







Introduction

The exhibition Futurism and Europe. The aesthetics of a new world is the result of recent research into the relationships between futurism and other European avant-gardes, such as De Stijl in the Netherlands, Bauhaus in Germany, Esprit Nouveau in France and Russian constructivism. The exhibition and accompanying publication illustrate for the first time the many interconnections between the various avant-gardes.

Alongside the Italian futurists, such as Giacomo Balla, Umberto Boccioni, Fortunato Depero, Antonio Sant’Elia and Enrico Prampolini, the exhibition will also feature work by Sonia Delaunay, Le Corbusier, Fernand Léger, Walter Gropius, Marcel Breuer, Oskar Schlemmer, El-Lissitsky, Vladimir Tatlin, Alexander Rodchenko, Theo van Doesburg and Gerrit Rietveld, among others.

Futurism

Born in 1909, futurism was originally an Italian movement that strives for a radical rejuvenation of culture. Futurism is not merely an artistic avant-garde movement; it is a way of life. It declares war on the prevailing aesthetic ideals and seeks a new kind of aesthetic that expresses the vitality of modern society. The typically futurist glorification of new technological achievements, such as cars, trains, trams and machines, is reflected in the depiction of movement, speed and even sound. In order to implement their ideas as broadly as possible, the futurists venture into a wide variety of fields: from painting, sculpture and architecture, to theatre, film, fashion, all kinds of functional objects, complete furnishings of public spaces and homes, advertising and more. This quest for an ‘opera d’arte totale’, a kind of ‘total artwork’ that extends to all aspects of life, has been highly influential.

In the exhibition, this notion of the convergence of art and life is reflected in a wide variety of objects, from both futurism and other avant-garde movements. In addition to paintings and sculpture, the exhibition will include furniture, carpets, ceramics, interior and stage design, books, fashion, graphic work and a wide range of objects with various uses from the period 1912 to 1939.

The futurist collection of the Kröller-Müller Museum

While bringing together her extensive collection of modern art, Helene Kröller-Müller overlooked futurism which she later regretted. Her successors also recognized the importance of futurism as one of the avant-garde movements of the early 20th century. Works by Giacomo Balla and Umberto Boccioni were acquired in the 1970s and particularly in recent years the futurist collection has expanded greatly, with works by Balla, Gino Severini, Vilmos Huszár, Oleksandr Bohomazov and Jules Schmalzigaug. With almost twenty futurist works, the Kröller-Müller is one of the few museums able to show futurism as an integral part of art history.

As of 20 March 2021, special attention will be devoted to this in the presentation The futurist collection. The presentation is a prelude to the exhibition Futurism and Europe. The aesthetics of a new world.

Curation

The exhibition and publication will be curated and compiled by Fabio Benzi, professor at the Università Gabriele d’Annunzio in Chieti. Benzi has authored many publications on the visual art of the second half of the 19th and the 20th century. He has collaborated on major exhibitions on futurism, including Italian Futurism, 1909–1944: Reconstructing the Universe at the Guggenheim Museum, New York in 2014. With 600,000 visitors, this was the best attended exhibition in the history of the Guggenheim.







CAP.I - FUTURISM 1912 THE EUROPEAN SHOW & THE DIFFUSION OF NEW AESTHETICS





86
SEVERINI
The Boulevard, 1911







89
CARRÀ
Ciò Che Mi Ha Detto Il Tram, 1911







90
BOCCIONI
Le Forze Di Una Strada, 1911







91
BOCCIONI
Visioni Simultanee, 1911







92
RUSSOLO
La Rivolta, 1911







94
BALLA
Bambina Corre Per Il Balcone, 1912






CAP.II - THREE DIMENSIONAL FUTURISM





105
BOCCIONI
Forme Uniche Della Continuità Nello Spazio, 1913







107
BALLA
Linee forza del Pugno di Boccioni, 1916 (realizzazione 1968)







110
MARINETTI
Sudan-Parigi, 1921







113
DEPERO
La Toga E Il Tarlo 1914






CAP.III - FUTURIST RECONSTRUTION OF THE UNIVERSE & EUROPE





130
BALLA
Progetto salone rosso e nero, 1918







134
BALLA
Paravento con linea di velocità, 1916-1917







136
BALLA
Il Paravento, 1917







139
BALLA
Mobiletto per fumo, 1916 ca.







171
DEPERO
Diavoletti neri e bianchi. Danza di diavoli, 1922







192
BALLA
Salone verde 1918-19






CAP.IV - FASHION





212
BALLA
Bozzetti per uomo e tessuti 1919







218
DEPERO
Panciotto, 1923







218
BALLA
Panciotto, 1924-25







219
BALLA
Futurist suit, 1920






CAP.V - THEATRE & CINEMA





239
PRAMPOLINI
Studio per la scenografia "Rose di carta" di Luciano Folgore 1921







240
BALLA
Scenografia per balletto fuochi d'artificio 1916-17







241
BALLA
Scenografia per balletto futurista 1925







244
PRAMPOLINI
Il mercante di cuori (bozzetto di scena), 1927







251
DEPERO
I miei balli plastici, 1918






CAP.VI - GRAPHICS





289
MARINETTI, GOVONI, CANGIULLO, BUZZI
Parole in libertà, 1915







290
BALLA
Rumoristica plastica baltrr 1914







291
CANGIULLO
Grande Folla a Piazza del Popolo 1914






CAP.VII - ARCHITECTURE & THE FUTURISTE IMAGE OF THE CITY





320
SANT’ELIA
Studio Plastico-Architettonico Per Edificio Industriale, 1913







321
SANT’ELIA
Dettaglio per la nuova città, 1914







329
DEPERO
Bozzetto Per I Traves E Bestetti, 1927







341
BALLA
Dimostrazione interventista, 1915







354
DEPERO
Grattacieli e tunnel, 1930






Info Mostra
FUTURISM & EUROPE
The aesthetics of a new world


dal 29 aprile al 3 settembre 2023
Kröller-Müller Museum, OTTERLO, Olanda